Jay Nash - Letters From The Lost
Available for Pre-Order 4.2.13 on iTunes
Pre-Order on iTunes

30th September 2014


Goodness gracious. Fall is off to a spectacular start. . I hope that the same is true for you,…

Goodness gracious. Fall is off to a spectacular start.

I hope that the same is true for you, wherever this finds you. For me, fall has become touring season and so now, the road calls. I returned home to Vermont last week from an incredible couple of weeks in the Netherlands and Germany, where I played eleven concerts in eleven days, with a few radio and video tapings thrown into the mix for…

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9th May 2014


Spring 2014


Since wrapping the tour with Martin Sexton** at the end of March, I have been working away in the studio here in Vermont.  I am just now putting the finishing touches on a beautiful full length record for Montreal’s ‘Sweet Talking Liars’.

(Yes…they named themselves after one of my songs.  So…how could I not agree to produce their record?)

I’m also deep into the…

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1st April 2014


Thanks for an incredible Winter tour

Thanks for an incredible Winter tour

Thank you guys for showing me such an incredible time to kick of 2014. This last month and a half has been an unforgettable experience. Thanks especially to Martin Sexton and crew for sharing his audience and music with me for 17 shows on his juggernaut Winter Tour.

After 28 shows and tens of thousands of miles, I’m back at home in Vermont, working on new music and in the early stages of…

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3rd December 2013


Greetings - I hope that you had a beautiful Thanksgiving with people you love and survived Black…View Post

Greetings - I hope that you had a beautiful Thanksgiving with people you love and survived Black…

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7th November 2013


New Daytrotter Session, February 2014 Tour Dates


2013 has been a truly rewarding and memorable year of touring and making music. As the cold weather approaches, I find myself looking back on so many great moments making music in clubs, bars, churches, theaters and festivals, and at music…

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6th August 2013

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A few thoughts on Rock for the River

The 1000 Islands is a land lost in time. Not a whole lot has changed up there in the last 100 years or so. Back in the late 1800s, it was one of the most popular vacation spots in the Northeast for residents of not only upstate New York, but also NYC, Boston and Philadelphia.

Almost every positive memory from my youth and formative years came from the time that I spent on the St Lawrence River.  I grew up and went to grade school in Manlius, a small village, just outside of Syracuse, NY however, I spent much of my summer and nearly every weekend from May through November in the 1000 Islands in Clayton, NY.

I remember the feeling as a  child that it almost seemed impossible for the River and Syracuse to exist on the same planet…let alone the same state.  The 1000 Islands seemed to be a place almost entirely insulated from the negative trappings of everyday life.  It was just the opposite - with people running around in boats, permanent smiles plastered upon their faces and the constant soundscape of boats, breeze and the gentle echo of water kissing the shoreline.

The 1000 Islands is not only a natural wonder with its 1800+ islands scattered over roughly 40 square miles.  For it’s natural features alone make it like no place on earth.  But, the relationship between humanity and the place make it even more special.  Walt Whitman summed it up nicely back in 1855:

O boating on the rivers,
The voyage down the St. Lawrence, the superb scenery, the steamers,
 The ships sailing, the Thousand Islands, the occasional timber-raft
and the raftsmen with long-reaching sweep-oars,
 The little huts on the rafts, and the stream of smoke when they cook
  supper at evening.

— Walt WhitmanA Song of Joys, 1855.

Not a whole lot has changed since then.

Except for jet skis.  They are a bit of a sonic nuisance.  I’ll leave that diatribe for another blog.

The only other major change that has occurred since the mid 1800s is the advent of the St Lawrence Seaway.  In the 1950s, the army corps of engineers built the seaway, by blasting out rapids downriver from the 1000 Islands and installing a series of locks that would allow large lake and seafaring freighters to travel between the Atlantic Ocean and the Great Lakes.  In some ways, this was a bit of an environmental disaster.  Many would argue that it was a necessary collateral loss in the interest of industrial progress.

As you can imagine, the interests of the Seaway carry an incredible amount of influence.  This is where Save the River comes into the picture.  Started in 1978 by activist, Abbie Hoffman, who was actually living in exile at the time, Save the River is a non-profit, member-based environmental organization whose mission is preserve and protect the ecological integrity of the Upper St. Lawrence basin.  In practice, a lot of what they do is actually stand as a voice for the people of the River community and hold in balance the interests of the Seaway with the environmental AND socio-economic interest of the River faring public.  In 2004, STR joined the Waterkeeper Alliance to become Riverkeeper of the Upper St. Lawrence.

The way I like to simplify it is that Save the River is the sole organization striving to preserve and protect the place that I grew up loving, so that my children…and their children may experience that same sense of wonder from the place that I did.

As Riverkeeper, Save the River leads an international effort between the US and Canada to restore the health and ecological diversity of the St Lawrence River.

So hopefully, this gives some insight on my motivation for producing that first Rock for the River concert back in 2004.  I found myself then in Los Angeles, immersed in a beautiful family-like community of songwriters and musicians there.  It was a great time to be in Los Angeles.  But I missed the River and I had a sense that there was some unfound bridge between these two worlds that I just had to find.

I have to admit that my excitement, as the first concert grew near, was tempered by some nervousness that these Los Angeles based musicians would not be as enamored with River life, River Times and Riverfolk as I imagined that they would be…and vice versa.

As it turned out, my initial hunch was correct.   Each and every one of those artists fell madly and deeply in love with the place AND the people.  The first Rock for the River concert at the Clayton Opera House became a night that none in attendance would ever forget.  It was a kick off of summer, a celebration of the place that we all held so dear and it was a great coming together for kids of all ages.

Nine years and ten concerts later, not much has changed.  The evening still feels as magical as it did that first night.  We just sell a whole lot more tickets that we did nine years ago.

For more information about Save the River, please visit: www.savetheriver.org

To purchase for the 10th Rock for the River Reprise! click here.

18th June 2013

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a few thoughts on audience dynamics…

The other night, before the show in Fort Worth got underway, David Ramirez and I were talking about the phenomenon of audience members talking during concerts.  We spoke about the pro and cons of bringing the topic up with audiences themselves and whether the best move was to say nothing at all or to make a good natured quip about it to the offending parties.

On this tour, the crowds were exemplary. They have been almost universally attentive.  In a very few cases however, there have been small isolated groups of people in the audience that seemingly suffer from ‘voice imodulation’, with no apparent control over the volume at which they speak and without any apparent regard for the hundreds of other people in the room who have paid good money to see and hear the show without distraction.  In the past, I have made comments or snarky jokes to the offending parties, and I have always tried to keep things light. (a lot of my songs are sad enough, so I believe that levity is important).  

On this tour, I elected to keep my mouth shut on the issue and allow the music to steer the vibe in the room where it needed to go.  In all honesty, there wasn’t a single show where it felt like much of an issue to me.  However, if there is one take home lesson for me from this tour, it is that when I do not address the loud people and leave the audience to regulate itself, chaos may ensue.  People get fucking pissed.

In a couple of circumstances, where I was completely unaware of any errant noisemaking in the audience, I learned after the show that certain talkers had been aggressively scolded by other members of the audience, to the point where they (the talkers) were truly shaken and offended.

Shortly before I went onstage for the last show of our tour together, David Ramirez shared a story with me that totally trumped any account I had on the topic.  He actually had a show in an intimate theater where one member of the audience tackled another another and held a bowie knife to drunk guy’s throat because the guy had been running his mouth throughout the show and had ignored audience member’s pleas for him to stop.  Incredible. Nobody got really hurt.  Drunk guy quickly submitted and so knife guys let drunk guy up off of the floor.  After which, drunk guy ran out of the theater screaming like a stuck pig.

So during that last show of the tour in Fort Worth, when I looked out and saw about 95 percent of the room giving their undivided attention, I also observed that the remaining 5 percent was lost in drunk conversation (it was Friday night, after all…), I thought it appropriate to share David’s story and my thoughts on the issue.  The moral of my story was that it was a rock n roll show after all, and not a lecture.  So I certainly did not expect complete silence…just respect for your fellow audience members.  Furthermore, I advised to heed caution and keep all weapons sheathed.

Not five minutes later, from the stage, I observed a man being forced out of the venue in a headlock by whom I assumed to be the venue’s security guards.  Apparently, he had been repeatedly asked to keep his voice down by the people around him and insisted upon blithering on in a bellowing drunken slur. 

Astonishing. Oh, the irony.  I’d never heard a story like David’s before last night and I had never made such a warning to an audience before.  And of course, I have never, ever seen someone escorted out of one of my performances in a headlock before.

Here’s the bottom line.  Come to the shows to listen and have a good time.  As a performer, I think I speak for all, when I say that we truly love you for that and owe an immeasurable debt of gratitude.  The reason we play music is to connect with you and to connect you with one and other…it is supposed to be fun.  It’s supposed to feel good. Absolute silence is not expected or required, however absolute respect is.  

Respect the artist on stage who is working hard to give you the show that you paid good money to see. Respect your fellow concert goers who have also shelled out their hard earned dollars to experience and enjoy the concert.  It’s that simple.

…and please leave the weapons at home.

I love ya. 

thanks for listening.


17th June 2013


Letters from the Lost

Thank you all who made it out to the shows for the last 6 weeks. You made this tour one that I will never forget. Thank you also for the overwhelming support of the new album. If you haven’t had a chance yet, the album is available on iTunes and both on…

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23rd April 2013


Letters from the Lost Tour and Pre-Order

It was a strange week in America for sure and so it feels a bit odd to be promoting a tour and a record. If nothing else, I hope that this week’s events remind all to hold our loved ones a little closer and to take every opportunity that life gives us to…

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22nd April 2013


Letters from the Lost pre-order and North American Tour

It was a strange week in America for sure and so it feels a bit odd to be promoting a tour and a record.  If nothing else, I hope that this week’s events remind all to hold our loved ones a little closer and to take every opportunity that life gives us to show kindness to others.  

Alas, this is show business…and in times like these, making music seems more important than ever…a conduit of human connection and a catalyst for healing and hope.

As many of you already know, the new album, 'Letters from the Lost' is slated for release on Tuesday May 14th.  Making this album was a revelatory experience and big step in a new creative direction for me, so I am dizzy with excitement about sharing it with you.  I hope that you will help spread the word about the release as I am putting this one out all by myself and leaning on you… the best ‘record label’, fans and support system a guy could ever hope to have.  

The album is now available for pre-order, digitally on iTunes and in various compact disc and vinyl packages at my online store.



We are bringing a show to the east coast like no other Nash show you have ever seen.  Josh Day will be playing drums and singing and special guest (and opening act) Eliza Moore (whose debut EP I produced this winter) will be sitting in on fiddle.  There will be electric guitar, harmony, drums and in other words, the ‘rock’ that I have been sorely missing in my solo shows.

Boston - we especially look forward to seeing you and sharing a big musical hug with you.  Your bravery and resilience has been a true inspiration this week.



I am thrilled to announce a co-headline tour with Austin, TX based songwriter, David Ramirez.  His songs will knock you on your ass.  We kick things off on May 23rd in Phoenix and take the show up the west coast, back down through the Rockies, over to Chicago and then South from there.  Tickets for almost all of the shows are now available.  These shows will be the duo format with Josh Day on drums and vocals.



04/30 - Winnipeg, Canada - Pyramid Cafe

05/02 - Saskatoon, Canada - Amigos

05/03 - Edmonton, Canada - Pawn Shop

05/04 - Calgary, Canada - The HiFi Club

05/05 - Spokane, Washington - Carr’s Corner

05/06 - Wenatchee, WA - Caffe Mela

05/07 - Bellingham, WA - The Wild Buffalo

05/09 - Vancouver, Canada - The Media Club



05/14 - Vienna, VA - Jammin’ Java 

05/15 - Philadelphia, PA - Tin Angel

05/16 - New York, NY - Rockwood Music Hall Stage 2

05/17 - Brownfield, ME - Stone Mountain Arts Center

05/18 - Boston, MA - The Red Room at Cafe 939


05/22 - Phoenix, AZ - The Rhythm Room

05/23 - San Diego, CA - Soda Bar

05/24 - Los Angeles, CA - McCabe’s Guitar Shop

05/25 - Ventura, CA - Zoey’s Cafe

05/26 - Santa Cruz, CA - The Catalyst Atrium

05/28 - San Francisco, CA - Cafe du Nord

05/30 - Portland, CA - The White Eagle

05/31 - Seattle, WA - Q Cafe

06/01 - Wenatchee, WA - Cafe Mela

06/04 - Salt Lake City, UT - Urban Lounge

06/05 - Denver, CO - The Soiled Dove

06/06 - Omaha, NE - The Slowdown (front room)

06/07 - Evanston, IL - SPACE

06/08 - Saint Louis, MO - Off Broadway

06/11 - Czar Bar - Kansas City, MO  

Tickets, showtimes and more info at: www.jaynash.com/tour

(more dates in Oklahoma and Texas soon to be announced…)


thank you so much for listening.  I love ya for it.  See you out there.